{"id":88,"date":"2025-04-04T12:21:36","date_gmt":"2025-04-04T03:21:36","guid":{"rendered":"https:\/\/atariya.productionzomia.com\/?page_id=88"},"modified":"2025-04-10T09:58:52","modified_gmt":"2025-04-10T00:58:52","slug":"%e5%96%ab%e8%8c%b6%e3%81%82%e3%81%9f%e3%82%8a%e3%82%84","status":"publish","type":"page","link":"https:\/\/atariya.productionzomia.com\/?page_id=88","title":{"rendered":"\u55ab\u8336\u3042\u305f\u308a\u3084"},"content":{"rendered":"\n

\u307e\u3048\u3068\u3046\u3057\u308d\u3001\u307e\u3093\u306a\u304b\u3068\u3059\u307f\u3063\u3053<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

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55\u5e74\u524d\u306e\u4e07\u535a\u306f\u5927\u52e2\u306e\u4eba\u305f\u3061\u304c\u672a\u6765\u3092\u898b\u308b\u305f\u3081\u306b\u884c\u3063\u305f\u305d\u3046\u3067\u3059<\/p>\n\n\n\n

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<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Cafe Atariya: Front and Back, Center and Peripheral<\/h2>\n\n\n\n

This place stands on the brink of a large redevelopment wave, yet it continues to remain at what is being lost. But does the past truly remain at the back and we see in the front only the future? Fifty five years ago, crowds flocked to the Expo to experience a glimpse of the future. Now, what will be seen at the current Expo?<\/p>\n\n\n\n

In this city, there are those who seek to escape and those who cuddle them. Even as buildings and people continue to change, the things that truly matter remain firmly in place.<\/p>\n\n\n\n

Though located in the heart of the city, this place feels like a hidden corner\u2014perfect for sharing tea and conversation. Upstairs, beyond the steep staircase, our guests sometimes spend time reflecting and exchanging thoughts.<\/p>\n\n\n\n

Over the next six months, what kind of dialogues and reflections will resonate within the Harmonica Row Houses? A harmony cannot be truly beautiful with only pristine sounds. The sounds created by guests and local residents will likely resonate differently from those of Yumeshima. They will speak of the Earth and its creatures, of hope and peace, of the ethnicity and culture, of daily life in Sann\u014d. And of what comes after all of this is over.
<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n

\u3010\u958b\u50ac\u6982\u8981\u3011<\/strong><\/p>\n\n\n\n

\u3000Study\uff1a\u5927\u962a\u95a2\u897f\u56fd\u969b\u82b8\u8853\u796d 2025<\/strong>

\u3000\u4f1a\u3000\u5834 \u3000: <\/strong>\u5c71\u738b\u30cf\u30e2\u30cb\u30ab\u9577\u5c4b
\u3000\u4f4f\u3000\u6240 \u3000: <\/strong>\u5927\u962a\u5e9c\u5927\u962a\u5e02\u897f\u6210\u533a\u5c71\u738b1\u4e01\u76ee4-13 (Google map<\/a>)
\u3000\u30a2\u30af\u30bb\u30b9\uff1a<\/strong>\u5927\u962a\u30e1\u30c8\u30ed\u5fa1\u5802\u7b4b\u7dda\/\u583a\u7b4b\u7dda\u300c\u52d5\u7269\u5712\u524d\u300d\u99c5
\u3000\u3000\u3000\u3000\u3000\u30004\u756a\u51fa\u53e3\u3088\u308a\u5f92\u6b69\u7d048\u5206\u3000
\u3000\u4f1a\u3000\u671f\u3000 : <\/strong>2025\u5e744\u670813\u65e5(\u65e5) \u301c 10\u670813\u65e5(\u6708)
\u3000\u958b\u9928\u6642\u9593 :<\/strong> 13:00 \u301c 19:00\uff08\u6700\u7d42\u5165\u5834\u306f\u9589\u992830\u5206\u524d\uff09
\u3000\u4f11\u9928\u65e5\u3000 : <\/strong>\u6708\u66dc\u65e5\uff08\u795d\u65e5\u306e\u5834\u5408\u306f\u7fcc\u706b\u66dc\uff09
\u3000\u3000\u3000\u3000\u3000 \u203b7\u670821\u65e5(\u6708)\u30fb7\u670822\u65e5(\u706b)\u306f\u30aa\u30fc\u30d7\u30f3
\u3000\u30c1\u30b1\u30c3\u30c8\uff1a<\/strong>\u5165\u5834\u306b\u306f\u5c55\u89a7\u4f1a\u30d1\u30b9\u30dd\u30fc\u30c8\u307e\u305f\u306f\u958b\u5e55\u30d1\u30b9\u304c\u5fc5\u8981\u3067\u3059\u3002
\u3000\u3000\u3000\u3000\u3000\u3000\u30c1\u30b1\u30c3\u30c8\u60c5\u5831\u306f\u3053\u3061\u3089>>><\/a><\/p>\n\n\n\n

[Exhibition Outline]<\/strong>

Study: Osaka Kansai International Art Festival 2025<\/strong><\/p>\n\n\n\n

\u3000VENUE :<\/strong> Sann\u014d Harmonica Row Houses (MAP<\/a>)
\u3000DATE :<\/strong> Apr 13 (Sun) \u2013 Oct 13 (Mon), 2025
\u3000OPENIG HOURS :<\/strong> 13:00 \u2013 19:00 (entry up to 18:30)
\u3000Closed on Wednesdays (If it is a national holiday,
\u3000the following Tuesday is closed.) except July 21 (Mon) and 22 (Tue)
\u3000TICKET :<\/strong> Exhibition passport or opening pass is required.
\u3000\u3000\u3000\u3000\u3000Ticket Information >>><\/a>
\u3000ACCESS : <\/strong>About 8 min by walk from Dobutsuen-mae Station Exit 4 ( Osaka Metro Midosuji Line \/ Sakaisuji Line)<\/p>\n\n\n\n

<\/div>\n\n\n\n

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<\/div>\n\n\n\n

About This Project<\/h2>\n\n\n\n

\u201cThe Expo was a place for humanity to reaffirm its progress.\u201d\u3000\u201dThe idea of bringing things from afar and displaying them in one place.\u201d

This idea is, needless to say, deeply connected to the formation of museums. The reason it cannot be easily affirmed is that progress may be tied to discrimination, and exhibition to exploitation. It distinguishes between those who are advancing and those who are stagnant, detaching objects from their original places and rendering them interchangeable. Will this model still persist after two centuries?

Production Zomia has been organizing exhibitions and art projects in various locations since 2022, focusing on collaborative activities between Asian artists and curators. Instead of representing a specific message or expression, the activities emphasize the process of learning from each other\u2019s thoughts and work. Therefore, the group consists of both recurring participants and new members joining each time.

This project was born from collaboration between Production Zomia and several organizations active in Nishinari. Nishinari is near the exposition site where the \u201cHuman Pavilion\u201d was displayed in 1903 and was also the area where day laborers increased after the 1970 Osaka Expo. Currently, the area is rapidly changing due to policies and foreign tourists. Therefore, we started the project by discussing with local organizations that have long been active in the area what could be done in a project within six months.

Through discussions with organizations such as Kamagasaki Art University Cocoroom, Kioku Crafthouse Tansu, and SUCHSIZE, the idea emerged to create a connection with the increasing number of Asian migrant workers, as the elderly people who were once the focus of support have been decreasing. While artists do not necessarily have to engage directly with the Nishinari community through research or creating works, the goal is to create new connections by communicating using different languages. 

Over the next six months, the dialogues and reflections emerging within the Harmonica Row Houses will create a variety of sounds. What sounds will overlap and resonate remains unknown. Perhaps the guests themselves may never hear them.

The guests we invite are recommended by Asian artists and curators, based on discussions with neighbors who live and work in this area. This collaborative practice is also an experiment in responsibility and care, challenging the mindset that often divides the private and the public.

Society and art have long demanded that we exist as autonomous, independent individuals. In contrast, here in this city and these row houses, a way of life based on sharing, collaboration, and cooperation will take shape and unfold.<\/p>\n\n\n\n

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