{"id":115,"date":"2025-04-04T13:56:09","date_gmt":"2025-04-04T04:56:09","guid":{"rendered":"https:\/\/atariya.productionzomia.com\/?page_id=115"},"modified":"2025-04-10T12:30:32","modified_gmt":"2025-04-10T03:30:32","slug":"%e2%96%a0wu-chi-yu%ef%bc%8f%e5%90%b3%e5%85%b6%e8%82%b2%ef%bc%88%e3%82%a6%e3%83%bc%e3%83%bb%e3%83%81%e3%83%bc%e3%83%a6%ef%bc%89","status":"publish","type":"page","link":"https:\/\/atariya.productionzomia.com\/?page_id=115","title":{"rendered":"\u25a0WU Chi-Yu"},"content":{"rendered":"\n

\u5433\u5176\u80b2(\u30a6\u30fc\u30fb\u30c1\u30fc\u30e6)\uff0f\u53f0\u6e7e<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Photo by Sean Wang<\/p>\n\n\n\n

\u30a6\u30fc\u30fb\u30c1\u30fc\u30e6\uff081986\u5e74\u751f\u307e\u308c\uff09\u306f\u53f0\u5317\u3092\u62e0\u70b9\u306b\u3001\u6620\u50cf\u3001\u5199\u771f\u3001\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\u306e\u4f5c\u54c1\u3092\u5236\u4f5c\u3059\u308b\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3067\u3059\u3002\u5f7c\u306f\u4eba\u9593\u306e\u6587\u660e\u3092\u5f62\u4f5c\u308b\u8907\u6570\u306e\u7a2e\u3001\u74b0\u5883\u3001\u30c6\u30af\u30ce\u30ed\u30b8\u30fc\u306e\u3042\u3044\u3060\u3067\u5931\u308f\u308c\u3001\u78ba\u7acb\u3055\u308c\u3066\u3044\u306a\u3044\u7d50\u3073\u3064\u304d\u3092\u8abf\u3079\u3001\u30a2\u30b8\u30a2\u306e\u8907\u96d1\u306a\u6b74\u53f2\u3068\u5730\u7406\u306b\u304a\u3044\u3066\u76f8\u4e92\u4f9d\u5b58\u3059\u308b\u5b58\u5728\u3092\u8907\u6570\u306e\u7269\u8a9e\u306b\u3088\u3063\u3066\u63a2\u7d22\u3057\u307e\u3059\u3002<\/p>\n\n\n\n

\u5f7c\u306f2014\u304b\u30892015\u5e74\u307e\u3067\u30aa\u30e9\u30f3\u30c0\u56fd\u7acb\u82b8\u8853\u30a2\u30ab\u30c7\u30df\u30fc\u306b\u6ede\u5728\u3057\u3001\u305d\u306e\u4f5c\u54c1\u306f\u6642\u4ee3\u7f8e\u8853\u9928\uff08\u5e83\u5dde\u30012021\u5e74\uff09\u3001\u53f0\u5317\u73fe\u4ee3\u7f8e\u8853\u9928\uff082020\u5e74\uff09\u3001\u4e0a\u6d77\u30d3\u30a8\u30f3\u30ca\u30fc\u30ec\uff082018\u5e74\uff09\u3001\u53f0\u5317\u30d3\u30a8\u30f3\u30ca\u30fc\u30ec\uff082016\u5e74\uff09\u3001\u5317\u4eac\u56fd\u969b\u77ed\u7de8\u6620\u753b\u796d\uff082017\u5e74\uff09\u306a\u3069\u3067\u5c55\u793a\/\u4e0a\u6620\u3055\u308c\u3066\u3044\u307e\u3059\u3002<\/p>\n\n\n\n

\u307e\u305f\u3001\u53f0\u6e7e\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u30fb\u30b3\u30ec\u30af\u30c6\u30a3\u30f4\u300c\u5fa9\u8208\u6f22\u5de5\u4f5c\u5ba4\u300d\u306e\u30e1\u30f3\u30d0\u30fc\u3067\u3042\u308a\u3001\u6620\u50cf\u306e\u8131\u690d\u6c11\u5730\u5316\u7814\u7a76\u306b\u7126\u70b9\u3092\u3042\u3066\u305f\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u300c\u767d\u6d6a\u7684\u5b9a\u5c45\u6b96\u6c11\u535a\u7269\u9928\u300d\u306e\u5171\u540c\u8a2d\u7acb\u8005\u3067\u3059\u3002

Based in Taipei, Wu Chi-Yu(b. 1986) is a multimedia artist whose works include film, video installation, and photography. He delves into the lost and unestablished links among species, environment, and the technology that constructs human civilization, exploring the complex historical geography of Asia and the interdependence of various beings through multiple narratives. His works have been exhibited and screened at Times Art Museum, Guangzhou (2021); MoCA, Taipei (2020); 2018 Shanghai Biennale; 2016 Taipei Biennial; Beijing International Short Film Festival (2017) and was a resident artist at Rijksakademie van beeldende kunsten (2014-2015). He is a member of the Taiwanese artist collective Fuxinghen Studio,<\/em> also the co-founder of the project Pailang Museum<\/em>, which focuses on the decolonization study of moving images.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Stories of Celluloid: Terra Nullius Data<\/strong><\/em>, Single-channel video, 8mm and AI-generated, 12\u201930\u201d, with document archive, 2024. Photo courtesy of the artist.<\/strong><\/p>\n\n\n\n

The Stories of Celluloid project consists of multiple chapters that explore the past and present of dataset image through early film production material: camphor. Camphor, primarily sourced from the low mountainous regions of southern East Asia and Southeast Asia, was used in early 20th-century celluloid film production. Taiwan, as a major producer of camphor during this period, extracted camphor oil through scientific surveys, modernization, and conflicts with Indigenous communities, projecting the history of the mountains in the circuits of image production. With the use of AI dataset, this chapter brings to life a memory of colonization found in the camphor production techniques preserved in Taiwa<\/p>\n\n\n\n

\n
\n

\u226aSaul Chan Htoo Sang<\/a><\/p>\n<\/div>\n\n\n\n

\n

Linh San\u226b<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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